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Entries tagged as ‘dub’

MY EXPERIENCE WITH THE ASTHMATIC LION

December 9, 2008 · 3 Comments

The feeling The feeling

I need to go back to Donosti, August the 16th 2007, to start to talk about how my feature with Fermin Muguruza became reality. 

The above date it’s the day when the Fermin Muguruza Afro-Basque Fire Brigade finished their world tour. After the last concert, the band and other friends were celebrating a successful tour that took the 14 musicians through all around the world, from America to Asia. I met them because of my friendship with Fermin and other members of the Basque crew.

So, the night was good; I was talking to Fermin, and joking I told him that he should include some beatbox on his next album, and that I was the right man for that. More jokes, more beer, and fun till late night. Afterwards I completely forgot about what I said about my beatbox, but apparently, he did not.

FM Afro-Basque Fire Brigade

FM Afro-Basque Fire Brigade

On January 2008 I received an e-mail literally saying:

“Whatz up, Javi?

Soon I’ll send you some audio tracks so you can get ready to do some beatbox.

Big hug: Fermin”

After reading it I was like… ‘Wow!! This is ain’t joke, man. This is going serious. Pheeeew! That can be the coolest thing of my life. Let’s work hard on it.’

I was patient and I didn’t told anybody anything about it. And I waited until February to contact Fermin again to know what was it all about. He did send me some instrumental stuff to start to work with, and we decided to meet in May in Irun, the city where he was born and where he lives.

TIME TO RECORD

So, the time passed faster than expected and the day to catch an Easy-Jet from Bristol to Biarritz arrived. Yeah, I was nervous, but also feeling confident with myself.

Mr Muguruza is an important figure that could impress someone that hasn’t met him before. But I knew Fermin personally for more than three years, and I must say that our relationship has always been very easy-going. I’d say it’s just natural.

He came with his wife, son and daughter to pick me up at the airport, and even though I knew all of them, I must say at the beginning I was quite embarrassed. But cool.

We took a walk through the seafront and everything was much better. Biarritz is a beautiful place and makes you feel easy.

Afterwards we went to Irun (it was my third time in the city) and they showed me some amazing views of the city from a mountain on the back of the city so we could see  the sea and the frontier between France and Spain.

Then we spend the evening catching up, having a beer and he told me the work planning of the two coming days. It was going to be a non-stop, but I was happy and full of energy.

At night we went to see Jotamayúscula, as he was playing in town with his hip-hop crew. It was a funny show. Then we met some other musicians coming from Madrid and we went for a kebab.

SOME PICS OF THE TRIP

1ST DAY

The day after we woke up early and after having breakfast we went to Azkarate, a small village in Navarra where Angel Katarain, Fermin’s personal sound engineer, has got his studio.

The place is amazing. In the top of a mountain, there’s full of massive family houses (called Caseríos) and a church. The place is one of the houses that have been reconverted into a professional sound studio.

In our way from Irun to Azkarate, I had a good conversation with Fermin; talked about politics, music, personal stuff… It was a good one. Don’t know why, but I feel comfortable to speak out my mind in a car. I open myself and I start to talk.

Then, after a quick rehearse in the studio, the musicians started to play and record. First they did the guitar, then the bass, keyboards, voice and finally, the beatbox. I did some drum and bass phat beats and the musicians add some rock sounds on it. Also I did work with keyboarder by suggesting her which kind of sound would better fit with the song.

It was a long day’s work, so at night and after dinner we could relax and have a nice conversation with some beers, all the musicians together.

2ND DAY

The day after we said goodbye to the Madrid crew, and then Fermin and me started to work side by side on different rhythms, organic scratchings and other sounds made by myself.

At launch time we met Rossy de Palma, who was coming for a feature in the album. We went to a really nice restaurant were they mix nouvel cuisine and basque traditional food. The food was impressively good and we had nicer conversations as well.

We spend the early evening working hard: while Rossy was recording her stuff, I was concentrated writing my rhymes for the song that gives name to the album; Asthmatic Lion.

I tried to compile some key words or sentences in the past career of Fermin and add it to my rhymes, but at the same time I tried to make it as personal as possible. Leave my blueprint and style.

I did a mistake the first time I tried to record it, but at my second chance all of us were happy with the final result: a quick rap, but full of vitality and positivism, as the album is.

Then we took Rossy back to the airport and afterwards Fermin and me went back to Irun. We only had a salad for dinner, watched some TV, talked about hip-hop origins (Fermin was going to be interviewed the day after about it) and went to bed.

SOMETHING EXTRA

Surprisingly, when doing the interview with Fermin, the ETB journalists asked me to do something in front of camera talking about the relationship of literature (poetry) and hip-hop. I did my thing and the result can be seen here by clicking the fifth video called “Rapa 2008.”

It was over. Two days of great time with some awesome people. I flought back to Bristol and kept the secret until october, when the album came out.

Now the album is out, and my name is on it. And what’s more; my feature songs are playing on the radio, specially the one with the rap, due to its colourful sound and my lyrical references.

One of the singles is a funky song called Shoot the singer, but also there’s jazz, reggae, soul, hip-hop, dub and all the different forms of Jamaican music that you can imagine.

During every song of the new album there’s so many instruments, voices, samples.

Please go to http://www.myspace.com/ferminmuguruza and listen the album. It’s worth it.

Also below there’s a couple of radio interviews for the Spanish listeners and the official video clip of the main single.

Interesting interview to FM

Interview with FM for Radio 3

Categories: Experiences
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FAT FREDDY’S DROP

December 8, 2008 · 1 Comment

Last Friday 5th of December New Zealand band Fat Freddy’s Drop finished their European Tour in the Roundhouse, London.

After touring all around Europe during almost four months, the Kiwis performed an awesome last show in London.

The venue, The Roundhouse in Camden Town, was full of people willing to see a band with one of the best shows of the year.

Their first album Based on a true story (2005) is a perfect mix of reggae, dub, soul and even electronic sounds.  Due to its popular success and musical quality, the band was awarded with several prizes in their country, and consequently their became worldwide popular acclaimed.

TIME TO BREAK IT OUT

It was nine o’clock, and the seven members of the band appeared on the stage; first was the MPC and pre-recordings DJ: he started to play warm dub beats. Secondly keyboards and guitar: adding details and feeling to the sound. Then came out the drummer, and the doubt if he could coordinate himself with the DJ was automatically erased. The connection was simply perfect.

Lastly the wind section (sax, trumpet and trombone) and the singer appeared on stage. And with them, the sound of Fat Freddy’s Drop and its personality invaded the place. The sweet voice of Joe Dukie fitted perfectly on the reggae music and dub of the first three songs.

Afterwards, and during the whole concert, the Jamaican sounds were mixed with refinement, going from soul to blues, funk, hip hop or even organic drum and bass. As the album ‘Based on a True Story’ is.

‘I WANNA JAM WID YOU’

But like every good band, Fat Freddys tried to give the audience something extra when performing. And they played some songs like Ernie in a very different way, mixed with house-dub music, and making dance everybody on the place. It was one of the best moments of the night.

They continued playing and jamming at the same time. One could see how sometimes they were talking to each other and deciding what to play or how to conduct the song: depending on the audience and how they reacted to the music.

One of the last songs was driven from the reggae towards techno sounds with some details of rhythm & blues but with an organic base. And people, they were dancing possessed by the sound.

Special mention needs to be done to the trombonist, whom didn’t stop dancing with a funky style and was the spirit of the band.

Last song was an easy one, but with all the soul and feeling of the band and a game of lights very suggesting and colourful.

It was one of the best gigs of the year. No doubt. A must-see.

Categories: Concert chronicles
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